"Ella Minnow Pea" by Mark Dunn was a really interesting book about language. A small island Nollop - outside the US - have built their society around the guy who came up with the pangram "the quick brown fox jumps over the lazy dog". When the letters on his statue fall down the council decides this is the will of Nollop and removes the characters from all discourse.
The epistle-based society fall into despair, but do not dare fight the council, and we follow through letters, notes and other written communication the fall of the Nollopian society.
It's a very smart book, with a huge glossary and some interesting grammatical choices as the letters fall, though you have to have a huge vocabulary to follow it - as they start using more and more synonyms I spent an increasing amount of time looking up words in the dictionary, until they lose so many graphemes that they resort to "sound-likes" which makes it difficult to read in a totally different way.
While I really liked the word-play and the intelligence in the language-based writing, I wasn't as fond of the story-telling. I felt the book kept telling me plot threads right before them coming into effect - why doesn't the increasingly tyrannical council read the islanders written communication? Because Nollop said before he died "never to read your neighbour's letters". Literally the next page is the council putting into effect a written-communication checker. He's just French so he won't be able to actually read the letters, keeping true to Nollop's wishes. - and stuff like this happens several times. I also found the tone took a heavy turn towards the end, suddenly becoming very dark, and there's a huge plot element with one of the council members I felt was never acknowledged or resolved.
So, I really liked it as a intelligent language experiment, but not as much as a stand-alone story. I'd recommend reading it if you're interested in language, grammar and creative takes on writing.
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Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Saturday, 17 October 2015
Tuesday, 30 December 2014
This is why I don't do poetry
On the last episode of Top Chef they had to make dishes based on famous New-England writers. One contestant chose Poe - the Raven and described it as a sad and mournful love story about a man who’d lost his beloved, and I seriously went “the Raven is a love story? Since when? I’ve got to reread the Raven”.
I see the mentions of Lenore when rereading it, but it’s not what I would have focused on in an analysis.
For me the Raven has always been about a lonely, old man’s decent into depression and paranoia/madness, being haunted by the very thing providing him a semblance of the companionship he seeks.
The Raven both driving him further into paranoia and madness, while at the same time jolting him out of it by providing a constant presence, and taunting him with the idea that he’ll never have companionship again. (while the Raven in itself is a sign that he’s lost his grasp of reality)
After all, Lenore is gone, it’s a love lost, it’s more a tragedy than a love story, and I’ve always thought the loneliness he’s experiencing is the focus, not the lost love in itself.
Also, I seem to be reading the poem a bit more severely than other people.
It’s just realizing again that I’ve been missing a huge, obvious part of the poem, which is part of the “standard” analysis of it, and would’ve caused me to score badly if I ever were to write about it on a test.
Bah.
I see the mentions of Lenore when rereading it, but it’s not what I would have focused on in an analysis.
For me the Raven has always been about a lonely, old man’s decent into depression and paranoia/madness, being haunted by the very thing providing him a semblance of the companionship he seeks.
The Raven both driving him further into paranoia and madness, while at the same time jolting him out of it by providing a constant presence, and taunting him with the idea that he’ll never have companionship again. (while the Raven in itself is a sign that he’s lost his grasp of reality)
After all, Lenore is gone, it’s a love lost, it’s more a tragedy than a love story, and I’ve always thought the loneliness he’s experiencing is the focus, not the lost love in itself.
Also, I seem to be reading the poem a bit more severely than other people.
It’s just realizing again that I’ve been missing a huge, obvious part of the poem, which is part of the “standard” analysis of it, and would’ve caused me to score badly if I ever were to write about it on a test.
Bah.
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![Raven Manet D2 by Édouard Manet - Library of Congress[1][2]. Licensed under Public Domain via Commons - httpscommons.wikimedia.orgwikiFileRaven_Manet_D2.jpg](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC9iURjUWO1YZiaIwHbq0vWBV7aXVheSQpnJ3ZTTr087Ja6MpJHSVrVgWJaT-kZFCl0xeFKOWP3p0lSCZ4AvsUidmD4uQZt7ulIB-phqCvOpxgr8-YxlJ4iXerpQNFBhlCRzpEnCHs_S4/s320/Raven+Manet+D2+by+%25C3%2589douard+Manet+-+Library+of+Congress%255B1%255D%255B2%255D.+Licensed+under+Public+Domain+via+Commons+-+httpscommons.wikimedia.orgwikiFileRaven_Manet_D2.jpg%2523mediaFileRaven_Manet_D2.jpg.jpg)