Broken Age thoughts

Finished Broken Age. It's fine, cute, extremely pretty, well animated, gorgeous art-style, amazing voice acting, and in the end just like Double Fine's other games; it lacks impact and staying-power. 

More than the art style, or the animated sequences, the story is what makes it a "kid's game" for me, it's just so light, so shallow, and what started as a really interesting story about breaking the mold and rebelling against family and societal constructs just turns into a bog-standard sci-fi plot, where everyone switches long held opinions and beliefs on a dime. 

Most jarring is the supposed "connection" between the two main characters who never meet face-to-face (until the end) everyone seems to be harping on about, and the rewiring puzzles that require knowledge you as a player have acquired from playing both stories, but the protagonists themselves would have no way of knowing. 
It's just so crude, a desperate attempt to make sure you alternate between the two characters, to make sure you follow the story parallels (though it stops being a parallel a while in, and just turns into the same story told with 2 different people) 

Don't get me wrong, it's a worthwhile play-through, several side-characters are fun to interact with, with their own small story-lines, and the best voice acting I've ever heard in an adventure game, and it's such a pretty game to look at, 
but in the end, what I'll remember from this game is the small side-story about the Dead Eye God's guards, which I thought was cute, funny, adorable and genuinely surprising. 
I was left with more warm, fuzzy feelings after that little section, than the entirety of act 2.

The Elf who didn't Believe

Wow, "the elf who didn't believe".. Shoe string budget, director, writer and most actors from soft core films and the most annoying score I've ever heard. 
There was a semblance of a good story in there, but it wasn't developed, and the actors that did a good job seemed to just be acting in their own little world. 

Still amusing enough because of the over the top evil "Mr. Slick" and the incredibly sarcastic butler "Whitlock". 
Also, the slapstick elements at the end were surprisingly good.

Care Bears: Oopsy Does it!

I expected a very simple, 2-dimensional story and characters for little children, and it was, but with one of the best realized villains I've seen in a long time (in animation). Yes, he was cliché, but he did it so well! 

Didn't expect anything from the movie, so an awesome villain was way better than I thought, and was what made me keep watching.

Bit-size impressions: A Monster in Paris

The script is very easy, and the object design is really poor, but the songs are great and the world design is amazing. It's worth watching just for the overview designs. 

I just wish I could see it with the original voices, the dubbing ruins so many of the characters.

Bit-size impressions: Hellboy II: The Golden Army

Del Toro always has some plot issues, but his art direction and creature designs are second to none.
And I love Perlman's Hellboy and Jones' Abe.

Bit-size impressions: Inkheart

This genre is one of my guilty pleasures. I will always watch children's fantasy movies. 
It has some balancing issues, and Brendan Fraser is weak, but the overall story is good.

Bit-size impressions: Jack the Giant Slayer

Cliché script, extremely referential and horrible main actors, but the supplemental cast makes it worth watching.

Disney's 50th animation is worth watching

Tangled was great! It drew inspiration from the whole history of Disney fairy tales, keeping a very traditional art direction and story telling.They managed a classic fairy tale that, while not having a very original plot, managed to tell an original story.

Loved the return to a more musical driven film, loved that they weren't afraid to tell a very traditional story, with a traditional ending, and I love that they distinguished themselves from Shrek and Dreamworks, while still keeping faithful to the Disney heritage.

I'm also fond of Disney's continuing path of creating secondary characters with depth, heaps of personality, and flat out lovable. Though, Rapunzel was very fleshed out, and was really created with respect, kudos to Disney for honouring their female lead.

Emperor's New Groove

Decided to rewatch this one recently, and it's still one of my favourite Disney films, and surprisingly so, because I don't usually like that form of humour.
It's also the only film I know of that I actually think has a better name in Norwegian than English; Et kongerike for en Llama, A Kingdom for a Llama, which is much more descriptive and suitable for the film.

A Kingdom for a Llama is one of those films I go back to and rewatch every time I'm sick of pretentious animation trying to be more than its plot/humour opens for. Kingdom is nothing like this. It's a purely silly and funny film, and it's fully aware of both its humour type and its target audience, which makes it able to pull off humour, plot, character development and touching moments without jarring from the overall feel.

More than any other Disney film, Kingdom is carried by its actors, and would probably not have a place among my favourites without David Spade. He's funny, arrogant, and pulls off Kuzco to perfection. His comic timing is also totally on point, and works really well together with John Goodman (Pacha). Warburton is also great as Kronk, though rather type-cast.

Some of the physical gags don't work that well on repeated viewings, especially after having seen the Disney channel series, where the "wrong lever, Kronk!" and "I didn't order any [soft or bouncy objects]" gags are rehashed every episode. But, the film is still funny, Kuzco is still a really interesting character, and the plot is well-written (I love the whole "we're totally aware of this big plot hole and we're going to comment on it instead of ignoring it" when Kronk and Yzma reach the lab before Pacha and Kuzco).

It's interesting to watch how they manage to develop lovable, deep characters in a gag comedy like this, and it's also a very good example of good script writing, both plot and lines, within a physical-based humour film.

And my favourite line is still, after at least 4 viewings; "Yay, I'm a Llama again! Wait.."

Tim Burton's Alice in Wonderland

I'm not sure what to think about this one. I think my one, general reaction is; I'm underwhelmed.
"Alice in Wonderland" is such a huge and quirky world, there's so much to work with, so much to build from, and this film just isn't creative.

It seems to be targeting people that have some idea of what Alice in Wonderland is, having maybe seen the disney (animation) version many years ago, but not read the books or know the story.
It also tries, like so many films lately, to cater to both children and adults, but fails to find a middle ground. I would not take young children to see this film.
If you take away the wonder aspect and just look at the film, it's a very standard fantasy/action film with all the usual elements; growing up, finding themselves, moral (being special is what makes you great), great big monster to fight, tasks to overcome and a romantic interest.
Besides the "young girl making her mark in a time where women shut up and act pretty" theme, the film doesn't bring much new to the fantasy genre.
Looking at it from a wonder aspect, there's so much more that could have been done. I want surrealism, I want quirky, I want mad! I don't want a hatter that's practically normal and a queen that's just evil.

It's also sad because the (supporting) cast is a.m.a.z.i.n.g! Crispin Glover, Stephen Fry, Alan Rickman, Christopher Lee.. *swoons* I'm also fond of Mia. She's a good actor, and it's nice to see an actress that's normal pretty looking, instead of a model beauty. I also think Anne Hathaway does a good job with the role she's been given. she's obviously been told to play a queen that's over-acting. The "real" white queen shine through a few times, though not really enough to show us who she really is.

Johnny Depp on the other hand.. I love Depp, he's a master of quirky characters, but I have to agree with others; we've seen this one before. I would have liked less Jack Sparrow and more Willy Wonka.

I didn't hate the film, by no means, I'm just, disappointed. Again, I seem to be disappointed with the lack of imagination and surrealism. And I hated, hated, HATED the romantic sub-plot!

I'm also seeing a worrying trend with Tim Burton's later films. It's becoming more and more Burton, and less about the original material. I love you Burton, I love your vision, your art direction, but you're starting to put a bit too much of yourself into your films. I want to see a real Tim Burton original again, written, directed, even produced by you, where you can really go all out and show us who you are. Just don't do it with a source material a lot of us love.